#it do be like that sometimes :V

[x-i-l-verify]

@variablememory

Angry reading

[em-bandaid-boy]

Hiiii thanks for 500 followerrrs!!! Idk why so many of you are here but thaanks 💖

(Seriously tho thank you its pretty cool) anyways I drew more murderous robots lol

[six-of-cringe]

Looking through Crooked Kingdom for reasons, and before Jesper goes to meet with his dad at the University, it says Wylan lent him a few Kruge to get some more student-ish clothes and I wondered where he got that money from. I now realize that this was shortly after Kaz gave Wylan the 5 kruge from Smeet and told him not to spend it all in one place. And then he proceeded to spend it on helping Jesper. Fungus in my brain

[rainbow-crane]

got a totally random rush of Emotions about Chihiro's gender so hi let's talk about how the entire account of Chihiro 'totally being a cis dude guys' is told by Monokuma, the guy that later goes on to fake a suicide note and falsify an entire class trial just to be pissy. Ah yes top 10 most reliable narrators ever of all time, yes, yes, very convincing

Not to mention in the exact same fucking motive he's very obviously purposefully warping the truth and lying to the cast's faces?? Within the 'embarrassing memories' motive Mondo's is a warped version of the truth. "Mondo killed his own brother" but he didn't, and just about everyone is able to grasp that one. He indirectly led to the accident, but Daiya made his own choices. So wouldn't the same logic apply to Chihiro's motive? "He dresses like a girl but actually is a boy" sounds like you're actively warping her own life experience to send her into Despair.... which is Monokuma's primary character motive.... crazy how that works........

And now, a compilation of every line Chihiro delivers in her own backstory, without the narrative padding from Monokuma explaining to you why this is totally her hating being a woman and wanting to be a man

"Now nobody will be able to say anything about 'even though you're a boy'..."

"I'm... weak... Weak, weak, weak, weak, weak, weak, weak, weak...!"

"Now's my chance..."

"I'm going to get stronger... and accept who I am..."

"Strong enough so that when someone says 'even though you're a boy' it'll be okay. I'll get better!"

"Maybe talking to Mondo about it will help give me some courage..."

So yeah, once you pull out the unreliable narrator. You get like, 6 lines total. 1/3 of which specify that she IS AFRAID of people saying "even though you're a boy". Now, call me crazy, but if we're genuinely arguing that Chihiro is a cisgendered man, why the hell would she say the equivalent of "I need to accept being a boy. Gee, I sure hope no one calls me a boy while I do so!" That's. That's inherently contradictory. More than anything, looking at Chihiro's lines as the most reliable source of Chihiro's thoughts about herself, it starts to look less and less like a man who wants to rise above being gnc and be a true manly man, and more like someone who's about to get fucking outed and mocked by Monokuma and trying to do damage control, steeling herself to be called a man and strengthening her mind and body to prepare for said outing.

Earlier in chapter 2, Chihiro is already thinking of starting to try working out, but is too afraid to enter the lockers because she's well-aware she can only enter the boys' locker rooms. The inference that Makoto comes to is that Chihiro is an individual trapped in a killing game that couldn't defend herself verbally in the library the morning prior, and is visibly the physically weakest in the class. Ergo, perhaps she wants to be able to defend herself better? Well, neither of those facts that lead to said inference magically change after the discovery of her dick, so perchance, the reason she wanted to get stronger was still so she could defend herself both verbally and physically?? The ONLY reason you'd have to come to the conclusion she wants to reconnect with her assigned sex is because she is being actively threatened into it by Monokuma's motive, or if you take Monokuma's story at his word, that he'd speak respectfully of the dead. Just like he did with every other character in that game, right?

Also, it's worth noting that in the actual conversation-turned-spiral between Chihiro and Mondo before Chihiro's death, neither Chihiro nor Mondo actually talk about Chihiro's gender, only her strength and desire to destroy her weakness. Yes, Mondo is using he/him in the voiceover, but the entire class is atp, and again. Using that as genuine evidence falls flat because we see in that very same scene that Mondo WAS NOT completely present for that conversation. He saw Chihiro's willpower and spiraled, conflating Chihiro with his brother and lashing out in a ptsd-induced blackout.

Also also, if you're gonna argue Chihiro has no reason to need to get physically stronger unless it's to be more masculine, A) Sakura exists in the same game, and B) please god look up any statistics on the amount of violence trans teens receive. That alone is a perfectly reasonable justification for a trans woman to want to be able to defend herself, especially when locked in a place where you cannot escape your potential aggressors.

TLDR Chihiro is legitimately more believable as a trans woman, and every intervention attempting to explain otherwise comes from a character defined by his love of twisting the truth for the sake of causing suffering. Hi hello does anyone hear me

[canongf]

sometimes you love a character so loudly that it becomes how people find you, how people connect with you, how people know you. and then. sometimes you fall in love with a new character. and you think "but the first character is how people know me, i can't change how people know me. i can't love a new character." but i am here to tell you that connection is actually a very resilient thing and the people that care about you will happily learn you over and over and over again if you give them the chance. just do what you wanna do.

[jicklet]

Elemental (2023)

[scintillyyy]

ngl sometimes i think the inverse to the fanon inability to meaningfully interact with a character flaw that's not "my friends and family would say that my main problem is that i care too much" is the canon hyper critical you can only like a character because of all their flaws and you should never say anything nice about what you think their good points are without a million astericks about how much they really do suck, actually

[pinkyjulien]

Valentin Da Silva | 193/?? Cyberspace 🟦

[hijinxinprogress]

Civilian Gothamites realizing they can get vengeance through Sword!Robin

Gothamites figuring out if they happen to mention a rogue treating animals poorly within hearing range of sword!Robin that rogue will be in custody with at least four fractures and a concussion and Damian being completely aware that like 63% of these people are lying but it’s the only way he can get experience with the nonlethal takedowns he’s experimenting with bc everyone keeps complaining about how he treats his opponents and allies 

Like he’s guiding a civilian to safety and they mention that “this would be the worst thing to happen to me today if riddler didn’t stab my fucking cat” and this civilian does not own a cat but they did own a car that was just paid off but riddler fucking crushed it with a stupid ass hot air balloon that’s shaped like a fucking question mark and Damian is aware of this bc he was the one that verified the insurance claim (but he’s been looking for a reason to punch Nygma in the throat since his last Arkham escape when he called Damian a moron)

And he also knows that if he plays along with it and says ‘as if I’d let that gaudy and tactless imbecile get away with committing such atrocities’ when prompted that he’ll get away with barely a slap on the wrist like he gets three half hearted but long lectures he’s not going to listen to and an online sensitivity training seminar he goads Tim into completing (Damian and Tim 100% try to trick each other into doing work they don’t want to do and full heartedly believe the other has no idea what they’re doing)

Bruce’s tendency for finding small crashouts at risk of becoming future rogues in Gotham and deciding they need love & supervision but what actually happens bc he’s so fucking awkward is they get almost the same amount of supervision just with like an hour of intense helicopter parenting a week but honestly besides that they just have more money and resources to do fuck shit

Tim 🤝🏾 Damian: using the manipulation tactics they learned from their mothers then later improved on with help from an assassin cult and bat/cape interrogation questioning techniques on the homies

[bmpmp3]

finding out ur coworker is way older than you thought and having to very quickly reorient how you talk to them

[socialprawn]

i hope you dont me me asking, but i adore your art a lot, how do you choose your color paletter? its muted yet still so vibrant, its mind blowing!

Thank you I'm glad u like my drawss ( ̧⸝⸝⍢⸝⸝)ෆ With colours, I think I mostly just can 'feel' it at this point, it's years and years of wanting to keep the contrasts very low so I can control the drawing more and focus on shapes +u+ Lately I'm trying to make more dramatic stuffs so I just think of the light source and am like 'what if it's blasted on someone's face'. I should use refs to make it easier but the dA brainrot really has settled and I hate it LOL (I'm just lazy to search for gud refs)

(i say 0 sat and the underpainting has some sat. LOW sat regardless that isn't actually used in the drawing 😂)

I think if you choose like a muddy desaturated base and then you add a colour that has any sort of saturation it looks really vibrant even if it isn't 🤓 Also I always increase the saturation on shadows but I think the choices are very controlled because of habit, which I want to experiment with other stuffs at some point ;v;

Thats how we do it in 2024 here at prawn and co. It always changes 😂

[chiropteracupola]

in the mood for a modern au. banishing them to Community Theatre.

[avoteforme]

[lanternlightss]

okay .. take two !!!

+ bonus doodles

[cashmere-caveman]

The Terror Episode 1 "Go For Broke" & 10 "We Are Gone" | Fyodor Dostoevsky, The Idiot | Carlos Fuentes | Chris Abani, Prelude | Danusha Laméris, Fictional Characters | Rainer Maria Rilke, The First Elegy (trans. Edward Snow) | Sue Zhao, Where to begin? | W. H. Auden, Marginalia | Dalton Day, One-Act Play In Which There Is A Blueprint, & That Blueprint Is Ignored Entirely | Hanif Abdurraqib, ALL THE TV SHOWS ARE ABOUT COPS | Chris Abani, Dog Woman | Len Verwey, Rehearsal Notes | Lena Khalaf Tuffaha, Lullaby | Rainer Maria Rilke, Go to the Limits of Your Longing (trans. Joanna Macy)

Image descriptions in ALT

[madamemiz]

you have a hard time vocalizing after work sometimes, but he talks plenty for the both of you